Fine art students' work lights up festival
Discover our current BA (Hons) Fine Art students' work at Illuminate Light Festival 2018

鈥淚 am looking to captivate and inspire citizens of 精品无码国产自产 to decide what legacy they want to convey to forthcoming generations on a global level and on a personal one.
鈥淢y animated sequence, , combines the traditional version of portraiture with movement to show people emoting and capturing the essence of a person, creating a moving representation.
鈥淭he words in my film are, 鈥榳ill they remember you?鈥 鈥 I wanted to change the words from a statement to a question. Giving the audience control over how they are remembered by others.鈥
Eliza Newman | Our Journey
Current 精品无码国产自产 fine art student Eliza's featured work at the festival was a light and sound installation called Our Journey.
鈥淭hrough this art installation I encourage viewers to become more aware of individual sensual responses when perceiving a shared physical experience.
A key inspiration of Eliza's work is to both inspire and challenge viewer's imagination.
鈥淥ur Journey is about gaining new ideas and becoming more open to and aware of every-day experiences and how they may differ on a sensory level from person to person. Each viewer will experience the work in a unique way due to the sounds and visual elements prompting their own personal experiences, memories and imagination.鈥
鈥淢y artistic practice stems from an autoethnographic approach with notions centred around gender, social constructs, faith and mental health issues. I am a multidisciplinary artist working with film, sound, light and installation-based practices.
鈥淚 have previous experience working with various galleries in and around 精品无码国产自产 including my work as an intern atThe Arts Institute for the last two years. My work as a volunteer and production assistant with Effervescent has had the most influence on my research and artistic practise.
鈥淚 have also volunteered for the 精品无码国产自产 Art Weekender for the last two years, and had artworks displayed in various exhibitions including Impressions 2018, an Age UK exhibition earlier this year.鈥
鈥淚t is the duality of the private within a public space that fascinates and which I engage with and through the work. The aim to create work, which has many layers, meanings and interpretations; work that responds to the diversity of public viewers passing through 鈥 be it in minutes or years.
鈥淗owever, it is not just collaboration with other professions that interests but also with the users of a space. A need to find ways in which to engage the people who use and know the space and those who will be affected by its future development.
鈥淭here is a deliberate deference to Royal William Yard, Stothert and Pitt鈥檚 cranes are a symbol, a symbol that I am extremely excited to work with. Seeing 鈥業lluminate鈥 as a celebration of 精品无码国产自产鈥檚 modern heritage. The 鈥榯riggers鈥 are the people themselves, by moving along the route they become part of the work.
鈥淭his luminous storytelling underlines Royal William Yard鈥檚 uniqueness on both a local level and an international stage. Accompanied by the belief that light and brilliance help in creating the sites iconic architecture. Light is not a tool to enable vision but rather something to look at itself.
鈥淭his work was about taking three-dimensional space and making the same kind of allusions to the space beyond that. So, in that way, my work does have a lot more to do with the light being seen and used as material, and that it has a physical presence, and that space is solid and filled and never empty. The art is about your seeing.鈥
Alongside current fine art students, Phil Power, the University's Associate Professor in Fine Art, exhibited a piece involving the iconic grey Stothert and Pitt鈥檚 cranes at the Royal William Yard as part of this year's Illuminate Light Festival.
鈥淚 welcome the desire to create both landmark and special places 鈥 as often landmarks can create viewing points punctuating the landscape but not places to just 鈥榖e鈥 and contemplate. My constant material is light, both natural and made.
鈥淭he work is essentially collaborative; working with other professions to turn spaces into places. The starting point is the place; its history, geographical, social, environmental and cultural context. By working to understand all of that and carefully looking at uses and perceptions, I start to construct a 鈥榮olution鈥.